Another new TV spot from Wonder Dog Films, aka Me & the wife… 

(Source: vimeo.com)

New Work from the folks @ Wonder Dog Films :-)

(Source: vimeo.com)

One of my subjects from yesterday’s shoot… Thanks to Pineland Farms, New Gloucester, ME for their cooperation. Beautiful clean facility, with gorgeous light.

  1. Camera: Canon EOS 5D Mark III
  2. Aperture: f/2.5
  3. Exposure: 1/250th
  4. Focal Length: 53mm

Thanks to my wife for sharing this… Inspirational - motivates me to get going on my PERSONAL work… the ART side of the equation!

and when this generation of photographers pases into oblivion, and some helpful soul goes rummaging through their belongings… will they find boxes of prints & negatives? No. Hard drives & CD/DVDs, that will be unreadable due to obsolescence, will be our legacy. All hail progress. :-) I think I will start making print archives of all my favorite work.

Taken last week, in a hailstorm, off of Chuckanut Drive, Larrabee State Park, just south of Bellingham, Washington. What an absolutely beautiful area of the country this is… similar in many ways to my adopted home of Maine. This was on our return from the Vancouver Women in Film Festival, where Sharyn’s film (which I was DoP) received a great welcome and fabulous review. Next month we are off to the Sarasota Florida for another screening of ‘Face It’!

  1. Camera: Olympus E-PL1
  2. Aperture: f/11
  3. Exposure: 1/640th
  4. Focal Length: 14mm

We have heard about this camera for a while now… but go to the photos in this link to refocus on the fly…

Creepy.

Just rehashing a music video from last year… Lyle Divinsky has a few new tunes out now… go download (make a payment too if you can - da’ man can use the scheckles!) and listen!

I promised this a while back - a grab shot while on location for Legacy Publishing. The family cat was intrigued by “the tall guy who smelled like a dog (my dog… you know what I mean) and seemed to make the rooms VERY bright for just a split second, quite frequently. Intriguing…”

  1. Camera: Canon EOS-1D Mark III
  2. Aperture: f/1.6
  3. Exposure: 1/100th
  4. Focal Length: 62mm

Finally. My inspiration. If I just get a new DELL computer…. Watch this amazing photographer and view through to the end to see his amazing work.

Caution: this MAY not be suitable for office or sensitive eyes.

Sometimes it just seems like the view is forever obstructed… you know you need to move through… but you just can’t seem to find the way. 

BULLSHIT.

As Ian Summers would say “Get off your pitty-pot”

Bye bye pot. Hello clarity.

  1. Camera: Canon EOS 5D
  2. Aperture: f/7.1
  3. Exposure: 1/100th
  4. Focal Length: 70mm

While the manipulation is trivial, the story does make a valid point on the reliability of news photos. The other irony is the c.1974 Lincoln town Car limo Dear Leader is having his final ride in…

Scroll down and watch the first b&w video… give it a chance. Really. Then for a lighter side, watch his assistant’s spoof. Brilliant stuff.

It’s Saturday and we are out on location…in Manchester, NH. Vehicle loaded up with photographer, assistant, client, stylist to shoot a testimonial portrait. Nice work. nice family. All good. We arrive abut 40 minutes ahead of schedule (always budget time for the unforeseen, and it will, alas, remain unseen) so we stop at a CVS/Rite-Aid or one of the other ridiculously prolific ubiquitous mega-pharms to… use the restrooms. I couldn’t resist grabbing this shot of the now nearly obsolete, yet itself once prolific, pay phone. It tells its own story, no?

It was a great shoot. thanks to all including the willing subjects, and their herd of cats. (images to follow)

  1. Camera: Canon EOS-1D Mark III
  2. Aperture: f/3.5
  3. Exposure: 1/400th
  4. Focal Length: 62mm

Zoom vs Prime.

While out shooting a CEO today, I processed this test frame of James just for grins and giggles. It has nothing to do with my ramblings today…

One thing that has been noticed recently… as the cameras get better and better… the weak links begin to show themselves. Some once faithful and trusty lenses are turning out to be a big ‘maybe not so much’. More and more I am reverting to the shooting style of days gone by: Prime glass. Back in the day, zoom lenses were always considered inferior when sharpness, contrast,  and color integrity were concerned. Then as auto focus became prevalent, and glass was made better, with all sorts of exotic coatings and three letter acronyms that few of us understood, zooms became acceptable. Some even were perceived to be better than the primes of the same focal length. But, alas, I am believing that is not true for the current crop of technology.

As digital cameras out resolve their earlier film counterparts, it becomes clear that ALL older glass is inadequate. I recently took full advantage of the technology of my cameras to calibrate the bodies to each lens for focus accuracy. Wow. What an amazing difference in auto focus ‘success rates’. Though all that resolution testing of each lens I own really made the poorer performers stand out… as they say in Australia, “Like Dog’s balls, mate!” And even the zoom glass which I previously would have hailed as magnificent is starting to be viewed as a bit shabby. Canon has been realizing this and slowly replacing all their zoom glass with new versions. Rumors about a new 24-70/2.8 aka a Series II are floating around. And not a moment too soon as this is the lens that is slowly falling out of favor with me. When I compare the results, on sharpness, with my primes in the same range, it is hard to go back. For me, in this age where mediocrity seems to be the new excellence for many, I am happy I still strive, and occasionally obtain, excellence…

Keep making those excellent primes dear Canon.

  1. Camera: Canon EOS-1D Mark III
  2. Aperture: f/4
  3. Exposure: 1/800th
  4. Focal Length: 29mm